Most of my music discovery is serendipitous. Often a recommendation from a friend or family member, a stray tweet via blip.fm, something catches my eye on "Friends Listening Now" on last.fm. Or, I see a mention of a musician on another musician's blog. That's what happened today. I just found out that Katherine Wheatley (one of my fav Canadian artists) is releasing a new CD on Sept 25, 2009 at Hugh's Room in Toronto. Because I'm a fangirl of Katherine, I read the back story. It turns out that her producer, Lynn Miles, recently produced an album of songs by women in the Yukon. Cool! This is something I want to check out.
Since Katherine didn't provide a link (Dear Musicians: when you tell us about cool projects that your friends are doing - please link!), I searched for it and discovered the CD Tethers, Hooks and Velcro that features 12 women singer/songwriters from the Yukon.
As I write this, I'm sitting in a cabin on the beach - no where near a physical music store. But it's 2009 - that shouldn't matter. Most music is digital now, right? So I'll just click on their CDBaby "Buy This CD" link ... oh. I can only buy the physical CD. And it's out of stock. If I were in the Yukon I apparently could visit any number of retailers that they list on their site to purchase the CD. But that's the thing. I'm NOT in the Yukon. And I hate to say it but in this digital instant on-demand world, especially regarding entertainment, I find it really frustrating that you wouldn't want to make your music available in digital format.
I know CDBaby does digital downloads. I've purchased a number from there, including the Good Lovelies, Paula Toledo and Pawnshop Diamond. I like CDBaby because they do non-DRM'd MP3. Ditto with eMusic. iTunes is an easy option; some artists complain about the royalty cut, but there are alternatives to iTunes. I've even had a musician email me a zip file of MP3s from an "out of print" album after I sent her a PayPal payment - I found her and the old band, Open Mind, via MySpace.
Now, I'm not an independent musician, so I'm not familiar with the issues. Is the fear of piracy that big that they won't publish their songs in digital format? Is it that they lack the know-how? Is it a huge pain in the butt to get the digital files? How 'bout it, musicians?
In my naive mind, it seems that if you're an up-and-coming musician, you'd want to use every means possible and every distribution channel available to get your music out there. There is this great diagram circulating about musicians using (I know, I know - here she goes again) social media to get the word out. I've seen it a couple of times, but never with the original attribution. Lex sent it to me. If you know the original creator, please leave a comment!
And I think the places listed here are just a start - there are a few others where I would ensure that I created an artists profile and uploaded my music too - just so people could stream it. THEN I would put it somewhere where fans could pay me and download it RIGHT NOW because while it is beautiful here in this isolated beach cabin, the ocean is getting a little loud and I could use some new music.
Oh, I should mention this project from Makeda Taylor that lead me to check out Katherine's website in the first place - she's created a YouTube playlist of Canadian Singer/Songwriters (currently over 190) to call attention to the depth of Canadian artistic talent and why it is important for musicians (and all of us really) to participate in the call for input from the government about Canadian copyright law. And if you need a little refresher on why it is important, check out this video from Michael Geist as well as his site Speak Out on Copyright - consultations are on until September 13, 2009.
Photo Credit: maxw